[a reflection on identity and home]
what an odd, odd village
tiered and constructed across
continents, across blossoming
lifespans
like
lifespans measured by bouts
of hurtling skyward to
new neighbours, same village
a tunnel of gracious aluminium
old-face, in the wicker house
in the high socks
with the sword that I still have
young-face, but also bearded
in the leaky truck
high-strung wisdom
same village
but also, faces outward,
inward and through you
the beautiful ones built mirrors
the kind ones built frames
the quiet, in dark hovels,
creaking auditoriums,
crimson-canvas shade
all built by listeners
the best ones knew my changing name
same village
which takes a
signal turn
flares up
from the house-boat
overbearing like her
best-intentions
like her
little golden girl, suffocating
sinking into the aluminium tunnel
a cross, the way
a regiment suspended on pews
a distressed (on purpose) sort of burning
few saw, few tired, and to witness
new dusty village corners
I ducked into alleys
lonely channels slumbering unperturbed
narrow and no longer thoroughly fair
but suddenly
green-white space,
expanding at steady state
my village boundaries, flattening
and I can see
the wicker house, still wickering
the leaky truck, still leaking
the house-boat, grounded
the regiment, frowning
all lifespans lengthening with the shadows
that raise and relieve a village
that raised and relieved me
what an old, old village
two rebellious lineages
nailed askew and through
hasty blueprints
red-eye photographs with
one face or the other overexposed
they tried and then disposed
of concrete
identity
and let’s face it--
children of every stripe
convinced us that we were not
white, or even right
for this village
like
any child, wild, tame,
might claim
to be consistent
but afraid and alone and detached
I skirted from shack to shack
built burning bridges
bloodied doorframes
cracked mirrors
one key for every fear
dropped, glinting in firelight
from the pier
but my village will always be
those who drift past at night
in the same firelight
and cast aspersions
cast their doubts and
pass delight to
castaways like I
most ghettos now are empty,
old-face having moved away
young-face without cause to stay
the tenements vacated
the umbrellas forsook
just as I expected
the bridges phantom pathways
floating out of soot
some sentinels remain, of course
--the regiment, undaunted
that sentiment the same
that had me wander on
and under canopies of rain
discover rusted iron signs that led
to rusted iron trains that
took my family away
what a cold, cold village
where leases last a year
and memories are taxed
and orphans run bureaucracies
that better men have left
I’ve seen
pioneers penalized and
hurried home
and
pastors crucified and
left alone
to direct
deconstructions
of the glorious cathedrals
they’ve been holding on their backs
and as the padlocks frosted over
a perfunctory salute
to me
will hide a bitter energy
as they too
are hurtled skyward
in the grating aluminium tunnel
and all told, all that’s left is the
crystallized hide
of shame and bravery
scraped upon me
so this settlement,
this great and righteous attempt
at me
has been glaciated
the crystal hide hidden
and, unbidden, a great tide
from our swelling waterways
ridden with twisted keys
and debris from
canvas, cars, cathedrals
all creatures great and small
all friendships, all
crushed, buried, deep
and
silent
flat
white
until
new light
layers of sediment creep
and seeded creatures crawl and
far below from some slow warming
all the frigid floods away
and I am here, floating
here on a shallow muddy ball
far above and far away from all
that made me
these rippling ridges
the only print
of the old, old village
that made me
what a good, good village
what a truthful place
what a painful, graceful place
it kept apace
and calls me
down-to-earth
and well-adjusted
and, well, I just did
what my neighbours were
and ran a course my own
and though never they nor I
ever owned it
this commune, this castle
this traveling canvas circus tent where
the only rent was love
and look how we’ve grown it
and it’s not fair, no
that my village won’t be where I go
and I do care, and I do bemoan
that the air is the closest thing to home
on my beaded belt
I’ll have it known
hangs a sword, and a key,
and a broken phone
are I need while
that odd village rumbles on
with indistinct clatter
of seven languages
six colors
shimmering chaos
that matters more than others
and at times a dry heat
beats upon the bars that
I once got my head stuck in between
and then, those chortling children
reassure me that neither I
nor they
have really changed
chain-link gardens,
magenta blooming eyes
framed by wire
rotten termite boards and haughty orbs
and four-by-four doors with rolling windows
even the invisible, terrible indifference
of similarity
that fence, too,
has been surmounted
and now my village
my good, good village
is boundless
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